There's no effrontery like that of a woman caught in the act; her very guilt inspires her with wrath and insolence.
It's so dense, every single image has so many things going on.
Every single frame, every single shot in the movie, has a digital effect.
We're hoping that in three or four years time, we'll have to never have to answer another question regarding 'Star Wars,'. . . With the series, we're trying to do 100 hours worth and answer every single thing anybody has ever dreamed of, thought of, imagined or hoped for.
Most people who love movies and kind of understand the process realize that if you do a character like Gollum or Jar Jar or any major digital character, that costs twice as much as having Tom Cruise in a movie.
I don't have to do emails, I don't have to protect myself about anything, I don't have any chain of command. My job is just to try and give everybody the tools that they need to express themselves.
It has absolutely no meaning to me to be an executive producer on a film that I have nothing to do with except come to the wrap party or the premiere on; it's just meaningless.
I've been getting plenty off my chest. Sometimes I get too much off my chest and I regret it.
Sometimes I know what my characters are moving away from or toward; more often I just wait and see. For instance, though I knew Sinkler in 'The Trusty' was going for water, I did not know that he would meet a fetching young farm wife until I got him into her front yard.
Only time - whatever that may be - will tell.
Documentaries deal with people who live real, everyday lives. But if these people trusted us and told us the truth about their lives, it could be used against them - which sometimes happened.