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A lot of us think we're invincible. . . but we have to start putting ourselves on the to-do list.

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David Mamet

Any claim to actual identification as a drama must rest upon the construction of a plot independent of the assignment of affliction to the protagonist.

Actual, Claim, Drama, Identification, Independent, Plot
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Every scene should be able to answer three questions: "Who wants what from whom? What happens if they don't get it? Why now?

Answers, Questions, Scene, Three, Want

When the three branches of government have failed to represent the citizenry and the mass of the media has failed to represent the citizenry, then the citizenry better represent the citizenry.

Failed, Government, Mass, Media, Three

One person may need (or want) more leisure, another more work; one more adventure, another more security, and so on. It is this diversity that makes a country, indeed a state, a city, a church, or a family, healthy. 'One-size-fits-all,' and that size determined by the State has a name, and that name is 'slavery. '

Adventure, Cities, Country, Healthy, Name, Security

Forget narrative, backstory, characterisation, exposition, all of that. Just make the audience want to know what happens next.

Forget, Know, Make, Narrative, Next, Want

The main question in drama, the way I was taught, is always, 'What does the protagonist want?' That's what drama is. It comes down to that. It's not about theme, it's not about ideas, it's not about setting, but what the protagonist wants.

Drama, Ideas, Doe, Question, Setting
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