Before you can be anything, you have to be yourself. That's the hardest thing to find.
If we artists are to survive this period at all - we will survive as spokesmen, never again as entertainers.
Occasionally, I like to select a mentor, a master, and let him guide me through a revision of one of my paintings. . . I try to move into his terrain, bringing my own ammunition. . . I do not believe. . . that this belittles my own personality.
I shun drawing which is too easily formulated. It does not seem fertilized enough to produce consequences, and a drawing should be a provider of consequences.
Seemingly the most easy of crafts, drawing is the one which reveals most tellingly our incapacity to sustain true vision and our acquiescence to the ready-made.
Someday when I understand more things than I do now, the fundamentals of my drawing will be so tightly woven into those of existence that I will easily and naturally find the design which is the answer to many questions. Meanwhile, I draw continuously.
My aim is a continuous, sustained, uncontrived image, motivated by nothing but passion.
God intends that everyone who has embraced the gospel become a part of the great enterprise of spreading the gospel.
My entire life has been an attempt to get back to the kind of feelings you have on a field. The sense of brotherhood, the esprit de corps, the focus - there being no past or future, just the ball. As trite as it sounds, I was happiest playing ball.
As a kid, in the Runaways, I would see the interviewers start to ask about our personal lives and what we did — and I could see the look in their eyes. They were practically frothing at the mouth. So if I answered these questions, I knew they were never gonna talk about the music. It was like that instinct — don’t go there, man. Have boundaries. Have mystery. You don’t have to let everybody in! I want to be singing to everybody, and I want everybody to think that I’m singing to them. Guys, girls and everyone in between.
A good friend of mine took me out and had me hit off a tee. He made me understand what was my strike zone and - with my speed - the importance of making contact. So I give him a lot of credit for changing my game and making me the player I became. He showed me how to work on me and my game, and not worry about patterning myself after someone else and focusing on what they were capable of doing rather than what I was capable of doing.