I've had a lot of movies that didn't get great numbers on test screening, but a lot of times the film was able to survive, or the studio still stayed and supported it.
Art is not an end in itself, but a means of addressing humanity.
My music must be an artistic reproduction of human speech in all its finest shades. That is, the sounds of human speech, as the external manifestations of thought and feeling must, without exaggeration or violence, become true, accurate music.
In poetry there are two giants, rough Homer and fine Shakespere. In music likewise we have two giants, Beethoven, the thinker, and the superthinker Berlioz.
And another thing about German symphonic development. I tell you, our cold kvass soup is a horror to the Germans, and yet we eat it with pleasure. And their cold cherry soup is a horror to us, and yet it sends a German into ecstacy. In short, symphonic development is just like German philosophy and soup-all worked out and systematized. When a German thinks, he reasons his way to a conclusion. Our Russian brother, on the other hand, starts with a conclusion and then might amuse himself with some reasoning.
Thanks to nanny, I've got a deep understanding of Russian tales.
I regard the people as a great being, inspired by a single idea. This is my problem. I strove to solve it in this opera.
Visitation Street is urban opera writ large. Gritty and magical, filled with mystery, poetry and pain, Ivy Pochoda’s voice recalls Richard Price, Junot Diaz, and even Alice Sebold, yet it’s indelibly her own.
As far as I'm concerned, the world is composed of stories. For architects, the world is composed of buildings, for actors the world is composed of theatres, or whatever. . . For me, the world is simply composed of stories, when I look, that's what I see.
As a child I assumed that when I reached adulthood, I would have grown-up thoughts.
I always tell my critics that if they don't like this theory for helping people - come up with a better one and I'll use it.