Entanglement is not one but rather the characteristic trait of quantum mechanics.
A lot of these angles are really about trying to mimic broadcast sports angles in order to anchor the scene, to sort of normalize it before it becomes abstracted.
I don't think my work is so strange. It's just a matter of having the discipline to go the whole way with an idea, to stretch it as far as it can go.
I have a way of making narrative sculpture, where first you make a text and out of that text you make objects. I start with a story and then I make sculpture from that story, it's just that the stories become more and more elaborate.
I think what interests me the most is when the two things are developed at the same time, which certainly feels natural for the way of working when there is no dialogue. You sort of depend on the music to be that, especially when there's lyrics in the music.
A lot of my work has to do with not allowing my characters to have an ego in a way that the stomach doesn't have an ego when it's wanting to throw up. It just does it
I'm less interested in skin than in fascia -- connective tissue.
You have to have something vicious in you to be a creative writersomething old-adamish, incompatible to the "ordinary world.
When I was in high school, I would perform every year in those plays and there was something I really loved about it. But I was completely unaware that you could sort of get into an acting career.
A democracy depends upon people getting brighter all the time. Democracies are delicate. They're not just ipso facto and just go on and on.
Our most tragic error may have been our inability to establish a rapport and a confidence with the press and television with the communication media. I don't think the press has understood me.