Then it crosses my mind, "But I’m a very busy woman! I don’t have time for a stroke!"
It was the most amazing opportunity to work on a period movie and transform Anthony Hopkins into Hitchcock.
We get to do what we love, and that's the most important thing. I feel very thankful, every day that I get to wake up and do what I do because it's a childhood dream. I get to live my job, and it's more than I could ever ask for.
Every project has its own challenges and rewards. If it's not challenging, why do it?
Literally, people probably came up with a budget and said, 'It'll be cheaper if we cut down the prep,' but it's not cheaper, because then you're shooting, you're fumbling through the movie and you are prepping at three times the cost because you're quadruple-time as you're shooting and then prepping after you're done shooting.
Period movies are just always a wonderful thing to work on.
There's always challenges to everything.
I saw Dolce Vita and my mind was blown by it, by the synthesis. I realised I wanted to be a filmmaker and started making films. I was writing screenplays and couldn't get money because my work was so uncommercial.
Saying "I'll try" really means "I'm not really committed. "
The Man of Genius may at the same time be, indeed is commonly, an Artist, but the two are not to be confounded. The Man of Genius,referred to mankind, is an originator, an inspired or demonic man, who produces a perfect work in obedience to laws yet unexplored. The artist is he who detects and applies the law from observation of the works of Genius, whether of man or nature. The Artisan is he who merely applies the rules which others have detected. There has been no man of pure Genius, as there has been none wholly destitute of Genius.
Everybody wants a happy life and a peaceful mind, but we have to produce peace of mind through our own practice.