You fail by default when you live so cautiously you never fail.
I'm the age I am, but my skin is in pretty good condition because I've been consistent with my skincare.
The thing I love about live performance the most, is that the doors are closed, the lights are turned down, and the audience has to be reverential to what's happening onstage.
Fashion is one thing, you kind of can change your silhouette and try this and try that. But I think that with skin care, you know anything that you put into your skin goes into your body, so you want to know it's actually good for you. So I think I don't believe in fashion when it comes to skin care if that makes sense.
The emoji still doesn't really speak to the complexity that actually - or the subtext that goes on between when people actually speak face-to-face.
The first thing is to accept that theater is an unknown. If you go to a concert, you know the music. If you go to an art show, you can literally see the art on your phone before you see it in person. But with theater, often times people aren't prepared to take risks, even though that's exactly what's great about it.
The less one can think about oneself, the more interesting and attractive one becomes.
I think half the troubles for which men go slouching in prayer to God are caused by their intolerable pride. Many of our cares are but a morbid way of looking at our privileges. We let our blessings get mouldy, and then call them curses.
[. . . ] elite social engineers appear to be aiming at a "hetero-homo" world, i. e. where individuals are bisexual, promiscuous and bereft of family.
People kept passing our [ with Robert Ben Garant] script around, and suddenly we had this reputation as screenwriters, which we're not - we're sketch comedy guys.
Everything I do is really an expression of myself, through colors and shapes and, at the same time, I try to explain what I feel not only as a creator but also as a woman. I cannot separate one from the other.