Volker Bertelmann (born 1966) is a German pianist and composer who mainly performs and records under the name Hauschka. He is best known for his compositions for prepared piano.
My music is also one part of my inner process, and people also seem to connect with me on that - especially the ones who have the same questions for their own lives.
I still visit my village quite often, as my parents and one of my sisters live there, but also I feel the village is more of an isolated, unreal part of me.
I am still happy to be close to the city, [to be] connected to the intellectual source in Ferndorf. In this area, [I feel] connected with nature and unimportant in a postitive way.
In a way, I pick out the films that have a same attitude as music that I like.
The opportunity to use a computer is great when it is used as one component, or when someone is working on his or her own sounds and approaches. I think it actually has the same restrictions as using the piano or any other instrument in [a traditional] way.
I always felt strongly connected to the region where I was born. But after leaving school, the only clear thought I had about my life was to leave this provincial area and go to places where real life was happening.
I am inspired by the films of Pedro Almodóvar, as they are funny, sad, and extremely weird.
I was always interested in finding the elegance of each style and understanding why it influences so many people.
I am surprising myself [at] each show, and the delivered piano often surprises me. Sometimes the piano is so old that I don't have to prepare it, and sometimes I have a concert grand!
I think for me, fusion is a word that describes a positive, collaborative combination of different styles. Every kind of new music was created by a fusion of different styles because to move on and find something new you have to allow all the influences within yourself a voice.
I can't say that electronic gear is restrictive. I think it is a challenge to play with electronic gear, and I regularly [perform] concerts with guys who are processing sound.
Memories were in my mind during nearly all the concerts I've done, and I realized the deep connection to my childhood, when I went out in the morning and the only thing my mom said was, "Come back before dark. " What trust and what freedom!
I also remember riding home from a wonderful day with only my bathing shorts, losing the chain of my bicycle, having no hand breaks, and slipping high speed on a street covered with stones. I had to go to the hospital.
I like the influence of pictures on music and the other way around.
When I read a script, I am already in the movie with my music, and I can dive into a world that I haven't seen before.
I can't really say that film music inspired me; it is more the films themselves, in connection with the music.
I had a record deal with Sony in the beginning of the 90s, and I was rapping and singing in my band.
I think there is a big question in how much music a film needs - a lot of films are overloaded for my taste, so that the story can't carry its own weight.
I was bored to death and thinking more about the minibar and the after-show party than the performance.
During Christmas time, on German television they show films with three or four episodes, and I quite like the feeling of waiting for the next episode.