When you go to Cannes, people are there to fight, to scream - like football, the World Cup. Once I was working on a movie, and then when I went to Cannes, I went there to whistle at all the other movies in competition. You go to help your friends and fight with your friends' enemies.
There's Cloudy with a Chance of Meatballs 1 and 2, and Ratatouille. It's super surreal. We've been working on this for eight years nonstop. Every week we've had a Sausage Party meeting, and now it won't be on our to-do list anymore. It's like the end of summer camp.
For a long time the IOC liked the idea of money but they didn't like the thought of working for it.
Of course the world of work begins to become - threatens to become - our only world, to the exclusion of all else. The demands of the working world grow ever more total, grasping ever more completely the whole of human existence.
Empathy for the people you're working with and being aware of their needs. . . that's the "big kahuna" in managing people.
Fusion is the future. The mixing of ideas. The two lunch tables working together. Humanity. . . we're 1 people.
Weirdly, the people complaining about the healthcare website not working after three weeks were quiet about the Iraq war not working after eight years.
But when adults speak up for the vulnerable and the weak, working and demanding that safety and respect prevail, God's little lambs are protected and nourished. They know they are not abandoned; they are loved. And the world becomes a little more like heaven as a result.
I'm a working mother. . . You try to pay the bills, you try to keep your life going and there's pressure.
I'm swimming every day and I'm even trying to get the golf swing working again - but that might take a little bit longer.
Working with the actors, working with production designers, working with the creative people who surround the process is really fun, it's really inspiring and I take great pleasure in working with them. That's what's most fun about directing.
Those titles, Executive Producer or actor, are unimportant. I always try to approach my role as an artist. The first thing you want to do, that you attempt to do as an artist, is to have some sort of input into the material that you are working on. That is how my process begins; I say to myself: "I want to do this kind of work or I want to do that kind of work. "
I was brought up in a tenement house in a working district. We didn't even have a bathroom! We had a gaslight in the hallway and a black-and-white TV.
In China the largest denomination bill they have is 100 yen, and that's maybe $7. So here you have a whole economy working with only a $7 note as the largest denomination. The euro wants to get rid of the 500-euro bill just as the United States years ago got rid of the $1,000 bill because only the criminals used $1,000 bills.
Improv is so different, it's such a collaborative thing, you're working with other people, nothing is planned and it's kind of this community mentality, whereas stand-up, you're alone and it was really hard.
I love it when people have pleasure working and when there is respect. That's what I love.
Everybody I'm working with now is a friend. And I would be very, very remiss to work with anybody in the future who has not shown me who they really are.
Control your own time. Don't let it be done for you. If you are working off the in-box that is fed you, you are probably working on the priority of others.
I've had so much fun working on 'Shameless. '
I just like to keep working and being able to pay my bills.