As an improviser I'm now pretty comfortable with trios, so I'm thinking of working up to quartets.
Kingsley Amis was one of a trio of brilliant comic novelists who made English literature sparkle in the twentieth century.
When I was seven years old, I was leading a quartet and trio, and that really laid the groundwork for me as a musician.
I've been invited to do a trio with a fantastic jazz guitarist and a harmonica player
Bush, Blair and Rumsfeld; they are the funny trio.
In the native world, major gods come in trios, duos, and groups. It is the habit of non-natives to discover the supreme being, the one and only head god, a habit lent to them by monotheism.
I started out by myself, but it eventually turned into a trio by the mid-'60s - a conga drum and another guitarist. And that's been mostly what I've worked with most of the time.
Psy Free was a trio consisting of guitar, organ and drums. I was the drummer. We did what the name suggests: psychedelic, free music.
Charles Pierce, Bea Arthur, and I were like a terrible little trio.
When I was in high school in the '50s you were supposed to be an Elvis Presley, a James Dean, a Marlon Brando or a Kingston Trio type in a button-down shirt headed for the fraternities at Stanford or Cal.
I was with a folk trio back in '63 and '64, and we traveled all across North Africa, Israel, and Europe.
A marriage is not primarily a duet but a holy trio.
If I can get that DAM trio back together again - "get the band back together" - and put on a concert of David Bowie's electronic music, that's the way I want to remember David, moving forward into the future of music.
The trio is the biggest sound you can have with the smallest unit.
Most of my records are very dense, composition-heavy, and there's bits of different kinds of music like an acoustic ballad, instrumental trio pieces, and vocal tracks.
I'm very fond of the Talent series, and also the Crystal Singer trio.
