George is a radio announcer, and when he walks under a bridge. . . you can't hear him talk.
Radio broadcasting was only 25 years old when I was born in 1932.
Lately, I've been doing a lot of tuning in and impatiently tuning out. As a longtime fan of talk radio, I don't think this bodes well for the long-term broad appeal of the medium.
That's an amazing moment, the first time you hear yourself on radio. It's still thrilling.
I actually started, this year, doing some voiceovers. I did some radio spots, and some games.
People ask me what's like to hear our song on the radio. I don't know, I don't listen to the radio
Lux spent the ride dialing the radio for her favorite song. "It makes me crazy," she said. "You know they're playing it somewhere, but you have to find it.
Demagoguery sells. And therefore, radio stations will put it on. But that doesn't mean that you can't do something else and also make it sell.
It's not true I had nothing on, I had the radio on.
Pop music seems to be the way radio programming has chosen to support female artists. They have chosen not to support a more provocative voice from women, which I find disappointing.
That's why I've always been appreciative of truly creative radio commercials.
Digital television, satellite radio, videogames, iPods - so much media. Do books even matter anymore?
The people in Atlanta, they're not really up on the blogs. A few people are, but it's not super crazy. In Atlanta it's still very much radio. When they hear it on the radio, that's what it is.
As a child of the 1970s, I couldn't hold a narrative in my head; I was lucky if I could hold a joke in my head, because every time you turn on television or radio, it wipes the slate clean - at least in my case. After I gave up television, I found I could carry longer and longer stories or ideas in my head and put them together until I was carrying an entire short story. That's pretty much when I started writing.
Moving from radio to television, you can take most of the words with you.
I fell in love with radio once I started working there, and I never stopped.
The radio even weren't allowed to say there was a Holocaust and people were being killed right, left and center in these terrible camps.
There were radio shows where you actually got to hear people play off of each other and get that immediate magic that goes on. And rather than doing what a lot of shows do, where an individual comes in, reads their part, and you edit it together later on and try to build a performance, we're lucky because this is really very much a theatrical performance that is going on, every single week.
I think, it's so difficult to create a buzz anywhere, whether it be online, the streets, radio, anywhere, that if you are able to create a buzz somewhere, it definitely means something.
I prefer radio to TV because the pictures are better.