I am very much aware of the visual side of things. I do a lot of photography. I often take Polaroids of things that strike me as visually interesting, just to remember them and perhaps use later.
Nobody should touch a Polaroid [camera] until he's over sixty
Hollywood has gone from Pola to Polaroid.
Once I started working with the Polaroid, I would take a shot and if that shot was good, then I'd move the model and change the lighting or whatever. . . slowly sneaking up on what I wanted rather than having to predetermine what it was.
I love fiction. I like reading short stories. Cupcakes, pop songs, Polaroids, and short stories. They all raise and answer questions in a short space. I like Lorrie Moore. Amy Hempel. Tim O'Brien. Raymond Carver. All the heartbreakers.
Why does it take two days for a polaroid of John Major to appear?
[A Polaroid camera] places before you a thing that is more of the thing than the thing was.
I didn't invent the word "selfie," but I took tons of Polaroids of myself.
You’ve got to visualize where you’re headed and be very clear about it. Take a polaroid picture of where you’re going to be in a few years.
I love Polaroids and I have a Polaroid camera collection from the '50s.
