Life yields only to the conqueror.
The pictorial work was born of movement, is itself recorded movement, and is assimilated through movement (eye muscles).
Kids below 10 or 12, I think they just need to learn by playing at golf. Later on, in high school, when they develop muscles and everything, that's when they need to see about getting lessons.
Dancing is so great because there are all the little details, and the little movements, and the little muscles that are working without you even realizing.
I don't want to have strong arms, like you get from Pilates or yoga. But dancing arms become your best accessory. And it's great for your core muscles.
I'm not flailing now, as my muscles are rigid with the tension of holding myself together.
I go for two kinds of men. The kind with muscles, and the kind without.
I use very few muscles at the best of times.
All my muscles are in my face. I have a very muscular face. I'm good with faces. I always have been.
If you're paralyzing your face in your 20s and 30s, you're not exercising the muscles that give it strength. My feeling is, laugh, cry, move your face.
Most people know who I am. Then I get the people who don't know who I am and just want to take a picture with a guy with muscles. I get more people that know me than anything.
We are adhering to life now with our last muscle - the heart.
Somehow, I landed The Walking Dead and it's great because it stretches and works different muscles for me, and it really lets me stretch myself as a performer. Now, I'm really excited to flex my comedy muscle. Hopefully, I'll get some opportunities to do that.
My child, what I want is muscles of iron and nerves of steel, inside which dwells a mind of the same material as that of which the thunderbolt is made.
I think I was drawn to the harpsichord because of the similarity of touch between the harpsichord and the tracker organ. When you press a key on the harpsichord, the pluck of the string gives a slight resistance similar to the feel of depressing a key on a tracker organ. Also, harpsichordists and organists use much less wrist and body motion than pianists, and we do not need the upper body muscles required by pianists.
Like people, a picture has a skeleton, muscles and skin.
It takes more courage to reveal insecurities than to hide them, more strength to relate to people then to dominate them, more 'manhood' to abide by thought-out principles rather than blind reflex. Toughness is in the soul and spirit, not in muscles and an immature mind.
Muscles do not use oxygen at a constant rate.
Adversity builds muscle. Adversity creates strength. Adversity, it turns out, is preparation for success.
When I began designing machines I also began to think that these objects, which sit next to each other and around people, can influence not only physical conditions but also emotions. They can touch the nerves, the blood, the muscles, the eyes and the moods of people.