I’ll spend my life training just for the moment I have my chance at you. I’ll wait until you think I’ve forgotten today. I’ll wait until you think it was just a dumb guild rat’s threat. After I’m a master, you’ll jump at shadows for a while. But after you jump a dozen times and I’m not there, you won’t jump just once, and that’s when I’ll be there. I don’t care if you kill me at the same time. I’ll trade my life for yours.
We're at a time now where there's a lot more "I'll do whatever it takes" attitude. I'm not going to say or do what you want me to say or do just because it might help me or be the politically correct thing to do to help my career. And that may have hurt me sometimes. I think about different collaborations that have been brought my way - it might have meant I'd get to be on TV to do certain things, but I've said, "No. It doesn't make sense. I'm not doing it. " And other people might jump at the opportunity.
When you have to jump, you jump.
I jump out of the boat [in The Lost World], and I'm trying to swim to the kid, and my boots fill with water, and I start to drown, and the director has no idea why I'm flailing around. He's, "Come on, come on!" And I managed to rescue myself. I'm wet and sitting on the banks of the river, and John walks over to me and says, "Are you all right, dear boy?" "Yeah, I'm all right. "
I was excited about the fourth movie I guess conceptually because, what I felt we should do it, we should try to make it a conceptual jump like Terminator did to T2. It was still the Terminator franchise, but it was something kind of bigger and grander.
Hosting the Emmys is a challenge for me. I guess it's the equivalent of someone who needs to climb a mountain or jump out of a plane. It's that kind of thing, where this could go terribly wrong. And I love the feeling of when it goes right.
Warriors do not win victories by beating their heads against walls, but by overtaking the walls. Warriors jump over walls; they don't demolish them.
Create a vision that makes you wanna jump out of bed in the morning.
On the set of an independent film you can tell that nobody is doing it for the money. Everyone is there because they love the script. A smaller budget sort of unifies everyone; it's a real team effort and that's amazing. But these opportunities just don't present themselves that often for me, so basically any chance I get to do something different I jump on it.
As an adult, I really don't watch much horror, to be honest. I mean, I like a good thrill. Thrillers are my favorite. I like stuff that keeps you on the edge of your seat or maybe makes you jump. But what I don't like is the gore. I don't like gratuitous violence and killing and all that kind of stuff. So it's kind of an interesting paradox.
Did you hear about this 20-year-old kid named John Walker from Northern California who was apparently fighting for the Taliban?. . . It didn't take long for the TV networks to jump on this Walker thing. CBS has a new show: 'Walker: Taliban Ranger. '
Just besides how smart Aaron Sorkin stuff is, really, is how visceral it is, how sensual it is. Not sexual, sensual. Always tactile. When you read his scripts, the scripts read fast and the words almost jump off the page.
Love is scary, like anything else, whether you're falling in love, whether you're discovering love in something else. . . if you're really going to jump off the cliff, when you meet somebody that you love you're going to jump off that cliff, you've got to give them everything. And when you have a kid, it's on a much greater level.
My characters talk to one another, and when it reaches a certain pitch of excitement I jump out of bed and run and trap them before they are gone.
Never jump into a pile of leaves with a wet sucker.
Where'd the days go, when all we did was play? And the stress that we were under wasn't stress at all just a run and a jump into a harmless fall
One of the things we're taught as actors is restraint - don't jump off the cliff.
I'm very much disciplined because I'm more mature. When I was young I just wanted to live, I could jump, I could run, I was quick and I was relentless.
Jump or stay in the boat.
I'm one of those people who when I go over a bridge, I want to jump. It's just this intense tickle in the back of my throat. It's like I'm on the verge the whole time I'm walking over that bridge, and I'm not going to get a release until I jump.