I'm interested in taking a form, breaking it apart, and then rebuilding it. It is about transformation for me. . . it is a very core notion that stabilizes my practice.
Americans always think they have to lead. I'm interested in ambiguity.
I'm not interested in collage as the refuge of the composition-ally disabled. I'm interested in collage as (to be honest) an evolution beyond narrative.
The truth is that the heroism of your childhood entertainments was not true valor. It was theatre. The grand gesture, the moment of choice, the mortal danger, the external foe, the climactic battle whose outcome resolves all--all designed to appear heroic, to excite and gratify and audience. Gentlemen, welcome to the world of reality--there is no audience. No one to applaud, to admire. No one to see you. Do you understand?Here is the truth--actual heroism receives no ovation, entertains no one. No one queues up to see it. No one is interested.
If I were a chocolate I'd eat myself. Seriously, we're all interested in ourselves and what other people are saying about us to some extent.
Certainly I'm always willing to talk to anyone who's interested in talking to me!
I don't like weak women and I don't find it interesting to play them. I'm inspired by them, when I see them in dramas, like with Natalie Portman, in almost every movie she's in. It's awesome that chicks can really go there, and it's beautiful to watch, but I don't think I'm interested, in any way, shape or form, in embodying those creatures.
And what I'm interested in is investing in people.
My day job finds me in a double-bind often, and it's an ideal position for anyone interested in becoming highly reactive.
Spyglass is not interested In Stargate
Nobody's interested in sweetness and light.
Increasingly, it's people not interested in National Geographic.
God is not interested in what you think you should be or feel. He is not interested in the narrative you have constructed for yourself, or that others have constructed for you - even the one that your church has constructed for you.
I remember in junior high school, which is what we called it, suddenly I was looking at myself, almost through other people's eyes, and thought: how does the world see me? So that was one of the things I was really interested in, when I was writing Goodbye Stranger.
Very interested in expanding the number of participants who will take part in laying the new gas pipeline in Europe.
I was born in Cincinnati, Ohio. My family was not nationally known as being a literary family, though my mother and my mother's side of the family in general were interested in literature.
If you are an intelligent human being then you are interested in climate change because it's the most important issue of our time.
I am a storyteller. I've never been interested in just taking the single image and moving on. I always like to stay with the people I'm photographing for long periods of time.
I've always been interested in films where you can identify with the actors. Where you can be in their shoes and therefore be more involved if they're people that you recognize.
When Derek Miller and I started working together, we had a very clear vision for the sound of the band. It was one which combined our favorite musical elements: driving guitars, bombastic beats, and female vocals. We've always been interested in making music that is essentially pop but that steps outside of the traditional formula into a stranger, more abrasive world. We love that our music makes people dance with complete abandon and feel empowered. It's very uninhibited music, and that's what makes it so fun.