Respect the place you live, be aware of the impact that you have on things.
It's like I'm thirteen again and he's my crush. All I'm aware of in this entire roomful of people is him. Where he is, what he's doing, who he's talking to.
I have been aware, from the age of 6, that I had talent.
My motto has always been that you can't say, 'Oh, it won't happen to me. ' You have to say, 'That can happen to me. ' So always be aware that things can happen.
We, the monarchs, are undoubtedly constants in a constantly changing world. Because we have always been there, but also because we do not get involved in everyday politics. We are aware of the political changes in our societies, but we don't comment on them. This is where we assume a unique position.
As I became very conscious and more aware of things I got very into the beatniks and that kind of stuff. They were very important to me for a few years.
Shakespeare possesses the power of subordinating nature for the purposes of expression, beyond all poets. His imperial muse tosses the creation like a bauble from hand to hand, and uses it to embody any caprice of thought that is uppermost in his mind. The remotest spaces of nature are visited, and the farthest sundered things are brought together, by subtle spiritual connection. We are made aware that magnitude of material things is relative, and all objects shrink and expand to serve the passion of the poet.
Sometimes the best set experiences make for the worst films. So, you don't want it to be too good an experience! But the bulk of your life is working with people and collaborating so you don't want anyone to be miserable on your film either. You want it to be something that people walk away from saying that it was a good experience for them and hopefully a good film. As a director, you are sort of leader of that troupe for that period of time, so you're aware of morale and your effect - how you are as a person and how that sort of trickles down to everyone else.
We're well aware of how intelligent our audience is. We're well aware that Fringe is a show that you really need to lean forward into and pay attention to and think about. It's not designed to be a show that you can watch while you're folding laundry.
A refugee population is hungry for language and aware that anything can happen.
When I first started working, I was very aware of the fact that I'd been to university and studied Russian and French and not acting. So when I started working, I'd started working quite young, I felt like it was important to treat myself kind of like an apprentice and do as many different types of things as I could.
We're in an illusion about what our role is in world politics and foreign affairs, and our policies are killing and destroying and doing a lot of things that we are not aware of.
One advantage in keeping a diary is that you become aware with reassuring clarity of the changes which you constantly suffer.
What are the conditions of the creative attitude, of seeing and responding, of being aware and being sensitive to what one is aware of? First of all it requires the capacity to be puzzled. Children still have the capacity to be puzzled.
To be aware of limitations is already to be beyond them.
I think it’s important to have a good hard failure when you're young. I learned a lot out of that. Because it makes you kind of aware of what can happen to you. Because of it I’ve never had any fear in my whole life when we’ve been near collapse and all of that. I’ve never been afraid. I’ve never had the feeling I couldn’t walk out and get a job doing something.
I was a student in London in the '70s, so CBGB really wasn't on my radar at all. Obviously, I was aware of the emergence of the Police in England and as an art student, I was very aware of David Byrne, but I suppose my musical taste at that time certainly didn't stretch towards the Dead Boys or the Ramones.
Back then and later on when I was in NEU! and Harmonia I was too much preoccupied with my own music to be aware of the German music scene, let alone following it actively. But changes which were happening with S. o. S. (namely the development of individual ideas and the effort to distinguish from the Anglo- American rock patterns) also helped me recognize other musicians within my immediate vicinity.
I used to think that cyberspace was fifty years away. What I thought was fifty years away, was only ten years away. And what I thought was ten years away. . . it was already here. I just wasn't aware of it yet.
I'm aware of how pop culture really infiltrates your expectations in a way that even if you think you're savvy about pop culture, it's so hard not to have these expectations of what a relationship should be. So I constantly feel like I have to bat those expectations down.