While any one is base, none can be entirely free and noble.
Over the years, I became more and more interested in the forms and techniques in which things could be said.
I believe it's impossible to write good poetry without reading. Reading poetry goes straight to my psyche and makes me want to write. I meet the muse in the poems of others and invite her to my poems. I see over and over again, in different ways, what is possible, how the perimeters of poetry are expanding and making way for new forms.
I don't know if there are topics that I unconsciously avoid, but as soon as they pop up in my writing, I try to take on those topics, whether or not I publish the poems.
Writing is performative - and while, yes, the words in essence will be there "forever," poems are often about ecstatic moments rather than trying to pin down a particular truth of an event.
The spoken word community was significant in making me want to write accessible and urgent poems. Bob Holman, in particular, was an impressive figure.
Jean Valentine and Jane Cooper were my professors at Sarah Lawrence College - and they were uncompromised in their art. They gave me models of how to live one's life as a poet.
Relationship and connectedness are the pre-condition for change. Every meeting, every process, every training program has to get people connected first. Otherwise the content falls on deaf ears. So small groups are an essential building block to any future you want to create.
I find it somewhat liberating to jump, to dive into things that are the opposite of me.
Stupidity consists in wanting to reach conclusions. We are a thread, and we want to know the whole cloth.
In general I'm more attached to a cinema that tries not to replicate the real world and life.