A professional entertainer who allows himself to become known as a singer of folk songs is bound to have trouble with his conscience provided, of course, that he possesses one. As a performing artist, he will pride himself on timing and other techniques designed to keep the audience in his control [. . . ] his respect for genuine folklore reminds him that these changes, and these techniques, may give the audience a false picture of folk music.
The weakness of their reasoning faculty also explains why women show more sympathy for the unfortunate than men;. . . and why, on the contrary, they are inferior to men as regards justice, and less honourable and conscientious.