As a child, I was raised with my grandmother, alongside all my cousins, and the kitchen was always full.
We all have to feel empty sometimes.
We all live with our losses. We don't want to, but we can
You know, life fractures us all into little pieces. It harms us, but it's how we glue those fractures back together that make us stronger.
Losing people you love affects you. It is buried inside of you and becomes this big, deep hole of ache. It doesn't magically go away, even when you stop officially mourning.
I like a lot of things that aren't good for me.
The ending has to fit. The ending has to matter, and make sense. I could care less about whether it's happy or sad or atomic. The ending is the place where you go, “Aha. Of course. That's right. ”
I should have shut up when I went up there and talked to Carlton Fisk.
Once we remember that all that takes place during the first days of life on the emotional level shapes the patterns of all future reactions , we cannot but wonder why such a torture has been inflicted on the child. How could a being who has been aggressed in this way, while totally helpless, develop into a relaxed, loving, trusting person? Indeed, he will always never be able to trust anyone in life. He will always be on the defensive, unable to open up to others and to life.
The more you try to avoid suffering, the more you suffer, because smaller and more insignificant things begin to torture you, in proportion to your fear of being hurt. The one who does most to avoid suffering is, in the end, the one who suffers most.
As an actor, you don't want to know the beginning and end to your character's arc. It makes it more fun. You're not playing the end. You're playing it realistically. You don't know where this character is going to go and what's going to happen to him, which just makes it more interesting for the viewers to watch. They're going on the journey with you, as the actor and the character.