When I first started doing the quieter, more acoustic material in Swans, there was a lot of derision and outright hatred from the audience and press, just as in the early days of Swans when we were rejected outright because of the bludgeoning, single-minded violence of the music.
I do think that's one of the strengths of the show is every year there's sort of the giant rock gets thrown into the stream and Selina has to figure out how to get around the rock. It's in Veep's DNA, whether anyone realized it or not, to constantly be changing.