We need young people to be involved, and we have to expect that young people are going to be impatient, they don't want to wait, and they've got new ideas and new ways of looking at problems.
I think about my art works as paintings, because they refer to the history of painting. I also have to think about them as sculptures, because every part of the process is part of the project. They're sculptures because they play on the idea of what should be hanging in a gallery. In that sense they're also kind of ready-mades.