I actually buy the paper version of The New York Times maybe once or twice a week.
I don't think actors should have to do anything but come in and act.
My limits are limitless. I find my limits every time I act.
Interest in certain themes doesn't mandate a personal stake or personal experience of those themes. I've killed people in plays, but no one asks me what it's like to kill people.
I don't want to expose the intricacies of my work so people can understand how I did it.
You can find the richness in any moment, even the most seemingly bleak. To try to do a movie about that was a joyful experience. So actually, it was really the context of it that made the experience so worthwhile, rather than the actual subject matter, if that makes sense.
I wish I had more of the hero gene, but I don't think I'd be very good at playing one.
I am not embarrassed to say that when I was at my worst I took anti-depressants because I think people need to hear that. I think if you are in a dark place where you can't pull yourself out, you may need to ask for help.
The climate-change deniers are rapidly ending up with as much intellectual credibility as creationists and Flat Earthers. They are nudging close to having the moral credibility of Holocaust deniers.
I'm a ham. I always like to answer spontaneously.
When one does another person an injustice, in some mysterious way it does one good to discover (or to persuade oneself) that the injured party has also behaved badly or unfairly in some little matter or other; it is always a relief to the conscience if one can apportion some measure of guilt to the person one has betrayed.