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Those forms we fancy shadows, those strange lights That flash on dank morasses, the quick wind That smites us by the roadside—are the Night's Innumerable children. Unconfined By shroud or coffin, disembodied souls, Uneasy spirits, steal into the air From festering graveyards when the curfew tolls At the day's death. . . And wheresoever murders have been done, In stately palaces or lonesome woods, Where'er a soul has sold itself and lost Its high inheritance, there, hovering, broods Some sad, invisible, accurséd Ghost!

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Nobuo Uematsu

And its very strange, but I think there is something very common - not only in Celtic music - but there is a factor or element in Celtic music that is similar in music that we find in Japan, the United States, Europe, and even China and other Asian countries.