My passion is becoming involved in good work, whether that means as an actor or writer or director or producer or all - that is not as important to me.
But the sky is interesting, it changes all the time.
But I loved George in part because he believed me; because if I stood in a cold, plain room and yelled FIRE, he would walk over and ask me why.
When the light at Vernon turned green, we stepped into the street and George grabbed my hand and the ghosts of our younger selves crossed with us.
I want to be violated by insight.
I don't think so, I don't agree. The most unbearable thing I think by far, she said, is hope.
We're all getting too smart. Our brains are just getting bigger and bigger, and the world dries up and dies when there's too much thought and not enough heart.
The creative strength is good enough and deep enough to bring itself to flower and to grow in spite of this sickness.
When I am writing my problems become invisible and I am the same person I always was. All is well. I am as I should be.
We [Americans] have a historical trauma when it comes to the past relationships when it comes to Native Americans and the history of how America was created. With this film, it's nice to see that the trauma is presented from a white male that was in the Civil War and that trauma affects him in a way that still exists.
When I trade, I don't have an agency problem; I have my neck on the line. When a bank or banker trades, it's not his neck on the line.