As a writer I've learned certain lessons. One of them is to be careful about how you put a view, and to bear in mind how easily and readily you'll be misinterpreted.
And mo the merier is a Prouerbe eke. [The more the merrier. ]
In dance the hand hath liberty to touch, the eye to gaze, the arm for to embrace.
How sweet war is to such as know it not.
Suffiseth this to proove my theame withall,That every bullet hath a lighting place.
I thinke it not amisse to forewarne you that you thrust as few wordes of many sillables into your verse as may be: and hereunto I might alledge many reasons: first the most auncient English wordes are of one sillable, so that the more monasyllables that you use, the truer Englishman you shall seeme, and the lesse you shall smell of the Inkehorne.
Sing lullabie, as women do,Wherewith they bring their babes to rest;And lullabie can I sing to,As womanly as can the best.
I write emotional music.
I do swear a lot, but the advantage is that having played abroad, I can choose a different language from the referee's.
To expect an author to talk as he writes is ridiculous; or even if he did you would find fault with him as a pedant.
One of my major shortcomings - I'm vindictive. I don't know why that is. Even in petty things in my life I tend to strike back. It's a lot more pleasurable a sensation than feeling threatened.