There's an old saying about truth setting you free. Don't buy it. Sometimes the truth slams the cell door shut and throws a thousand bolts.
Meow, Meow, Motherfucker.
The worst memories stick with us, while the nice ones always seem to slip through our fingers.
There’s a good kind of crazy, Kaylee,” he insisted softly, reaching out to wrap his warm hand around mine. “It’s the kind that makes you think about things that make your head hurt, because not thinking about them is the coward’s way out. The kind that makes you touch people who bruise your soul, just because they need to be touched. This is the kind of crazy that lets you stare out into the darkness and rage at eternity, while it stares back at you, ready to swallow you whole.
I went up on my toes to kiss him, and he groaned. "Do you really think this is appropriate on school grounds?" "Nope. " I wrapped my arms around his neck. "And I happen to know there isn't an appropriate thought running through your head right now. " "Or any other time. " Tod pulled me close and held me so tight my ribs almost hut, but I didn't want him to let go. Ever.
Tod's eyes widened, and his irises swirled in tight twists of blue. "Well, I don't see that I have much of a choice, considering that's part of Reaper Law. " "There's a Reaper Law?" "Of course. 'A reaper is Trustworthy, Loyal, Helpful, Friendly, Courteous. . . '" He shrugged. "It gets boring after that. But this situation is clearly covered under the 'helpful' category. " I rolled my eyes. "I think that's the Boy Scout law. " "They took it from us. But they left out all the good stuff.
She just got out of the hospital. Why don't you go gossip behind her back, like decent people?
. . . with the power of compassion there is nothing that cannot be accomplished.
Nothing whips my blood like verse.
Everything happened very quickly in my career. It was a very great honor for me to break Jim Clarks record (as youngest champion).
All persistent practices in art have a creative function. They may serve several ends, but the chief one is the shaping of the work.