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Large fortunes are all founded either on the occupation of land, or lending or the taxation of labor.

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Marvin Mudrick

Johnson is wise, Boswell foolish; Johnson warns and abstains, Boswell plunges; Johnson is rather a great man writing than a greatwriter, Boswell is a great writer and an ordinary man; and they are two of a kind, abysmal melancholics and compulsive socializers, afraid of solitude and afraid of death and dissolution, victims of themselves, meant for each other, needing each other, needing evidence and arguments (Boswell is a lawyer, Johnson magisterially dictates to him some of his briefs), making beautiful models of rational discourse out of the useful substance of all they know.

Beautiful, Death, Friendship, Greatwriter, Models, Wise
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Either over neither, both over either
or, live-and-let-live over stand-or die, high spirits over low, energy over apathy, wit over dullness, jokes over homilies, good humor over jokes, good nature over bad, feeling over sentiment, truth over poetry, consciousness over explanations, tragedy over pathos, comedy over tragedy, entertainment over art, private over public, generosity over meanness, charity over murder, love over charity, irreplaceable over interchangeable, divergence over concurrence, principle over interest, people over principle.

Art, Comedy, Energy, Generosity, Jokes, People

Boswell's Johnson is the word made flesh. . . an extemporaneous man talking himself into the thick of every occasion (in a world ofoccasions if nothing else) and therefore no monument at all but all that can be saved of a man alive in the pages of a book.

Book, Men, Monument, Occasion, Saved, Talking

All right, so there he is, our representative to the world, Mr. Western Civilization, in codpiece and pantyhose up there on the boards, firing away at the rapt groundlings with his blank verses, not less of a word-slinger and spellbinder than the Bard himself and therefore not to be considered too curiously on such matters as relevance, coherence, consistency, propriety, sanity, common decency.

Boards, Civilization, Common Decency, Consistency, Rapt

Life direct. . . is what Flaubert and Joyce have convinced themselves the man may never get quite clear of but the artist has nothing to do with. What they can't admit is that t is overrated: which artists, faking and fumbling it together out of spit and toothpicks, should know best of all.

Artist, Men, Together, Spit, Overrated
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