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America knows it has got to deal with its deficit problems so that it, too, can promise it is making its proper and best contributions to the world economy.

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Laurie Simmons

I'm not interested in telling a story in my photographic work. I'm more interested in freezing certain moments in time.

Certain, Freezing, Moments, Stories, Telling, Work
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Any work that is really great hovers between terrific and terrible.

Hovers, Really Great, Terrible, Terrific

I always try so hard to find a male doll and shoot a male doll, and it always kind of implodes. Whenever I use men, they're so scary and so dark, and I can never find this sort of lightness or this place between doll and human that I find with female dolls.

Dark, Doll, Men, Scary, Shoot

I feel like I spent so much time trying to understand my identity and my identity as an artist. But when all is said and done, at this age, I feel the most like I felt when I was 11. And all those talents I had when I was 11 and 12 - I'm letting them sort of happen again. I can't speak for men, but for women - we go back to a kind of pre-adolescent state when we were superfree and supercool.

Age, Artist, Back, Kind, Men

The challenge has always been to wrest emotion out of a [doll's] face that we think of as only having one emotion. It's moving a light, moving my camera; it's just this mental investment that I make, and suddenly, everything changes. Parenthetically, I have to say, I don't particularly like dolls, nor have I ever liked them. That's something I really wanted to get out there right away.

Away, Changes, Light, Make, Moving, Thinking

. . . Let's get to the image as quickly as possible, let's get to the message even faster, and let's find the scale to knock you over the head with the image and the message.

Faster, Image, Knock, Messages, Scale, Scales
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