I mean, I made The Phantom, although The Phantom was, believe it or not, an independent film. It was just a very large, expensive independent film.
I was interested in becoming a show dancer, for which I tried, but I'm not tall enough.
Ultimately there is no such thing as failure. There are lessons learned in different ways.
I had always seen myself as a star; I wanted to be a galaxy.
Dancers are allowed, indeed encouraged, to remain children forever.
Our ability to grow is directly proportional to an ability to entertain the uncomfortable.
No one is born with skill. It is developed through exercise, through repetition, through a blend of learning and reflection that's both painstaking and rewarding. And it takes time.
Never before has a civilization reached such a degree of a contempt for life; never before has a generation, drowned in mortification, felt such a rage to live.
I wasn't saying whatever they're saying I was saying. I'm sorry I said it really. I never meant it to be a lousy anti-religious thing. I apologize if that will make you happy. I still don't know quite what I've done. I've tried to tell you what I did do but if you want me to apologize, if that will make you happy, then OK, I'm sorry.
Clare Fischer was a major influence on my harmonic concept. He and Bill Evans, and Ravel and Gil Evans, finally. You know, that's where it really came from. Almost all of the harmony that I play can be traced to one of those four people and whoever their influences were.
Without love in a dream it will never come true