The job is not the work.
But if God is gone and man is no longer master, then who is master?
Humanity's true moral test, its fundamental test…consists of its attitude towards those who are at its mercy: animals.
In the mind of a woman for whom no place is home the thought of an end to all flight is unbearable.
The heaviest of burdens is simultaneously an image of life's most intense fullfillment. The heavier the burden, the closer our lives come to the earth, the more real and truthful they become. Conversely, the absolute absence of a burden causes man to be lighter than air, to soar into new heights, take leave of the earth and his earthly being, and become only half real, his movements as free as they are insignificant. What then shall we choose? Weight or lightness?
I feel a frantic desire to free myself. To start all over again and in another way.
Man can only be certain about the present moment. But is that quite true either? Can he really know the present? Is he in a position to make any judgment about it? Certainly not. For how can a person with no knowledge of the future understand the meaning of the present? If we do not know what future the present is leading us toward, how can we say whether this present is good or bad, whether it deserves our concurrence, or our suspicion, or our hatred?
I always have two bracelets on my right arm. One is a purple and white bracelet from a fan. I love it! I also wear a bracelet from a waterpark- I've had it on for two or three years. My mom says it's pretty nasty, actually. But you'll never see me without them ever! In magazine photos, the bracelets are sometimes airbrushed out, but viewers will always see me wearing them during scenes.
All through the ages prophets have looked down through the corridors of time to our day. Billions of the deceased and those yet to be born have their eyes on us. Make no mistake about it. . . this is a marked generation. There has never been more expected of the faithful in such a short time than there is of us.
I do not ask for my music to be interpreted, but only for it to be played.
If you're writing a screenplay, you need to be prepared to let go: there's a good chance the words you write aren't going to be the ones that end up on screen.