Behind the visible movement there is another movement, one which cannot be seen, which is very strong, on which the outer movement depends. If this inner movement were not so strong, the outer one would not have any action.
I have a really, really difficult time with dramaturgy sometimes in America, because I write about other cultures. I write about a culture that is very difficult, it is very foreign to a North American. A lot of people don't know about what's happening.