Dead heroes do nothing to protect their people tomorrow.
Not only can color, which is under fixed laws, be taught like music, but it is easier to learn than drawing, whose elaborate principles cannot be taught.
If painters left nothing of themselves after their deaths, so that we were obliged to rank them as we do actors according to the judgment of their contemporaries, how different their reputations would be from what posterity has made them!
What I have done cannot be taken from me.
Give me some mud, and I will paint you a woman's flesh.
Perhaps the sketch of a work is so pleasing because everyone can finish it as he chooses.
One should not be too difficult. An artist should not treat himself like an enemy.
Those promises we make to ourselves when we are younger, about how we mean to conduct our adult lives, can it be true we break every last one of them? All except for one, I suppose: the promise to judge ourselves by those standards, the promise to remember the child who would be so appalled by compromise, the child who would find jadedness wicked.
We all have to acknowledge the life and the path we were born into. And the things that define us, they're often somewhat narrow: our class, our race, our gender, where we grew up, what geography we were exposed to. The curiosity and wonderment of, "What it's like on your path?" - that's when you go into high alert.
I always say leave things at the door. Whether it's at your audition or at your house, leave the problems of the day away. Keep persevering, stick to yourself. Don't do what other people ask, do what you want!
As a late teenager, the punk movement pushed me further. In particular, the Clash, which happened to leak through the time of disco, showed me that there was this cross-cultural sound that could cut across genres and audiences. Like punk was to disco, rap music was a rebellion against R&B, which had adopted disco and made it worse.