This item is a mere fleabite in the ocean of our expenditure.
I don't care how good you are at it, but if you don't enjoy playing drums, you aren't in touch with a facet of your humanity. Really.
I've found that in life, and certainly in music, it's all just a series of occurrences in which you are constantly assessing the potential outcome of your decisions based on past precedence. As an aside, this is apparently the defining factor in science that separates artificial intelligence from human consciousness. One thing that our brains are really good at is taking a bunch of answers and extrapolating the question, whereas in computing, you input a question and it will provide an answer.
I'm willing to be misunderstood. I've never had a problem being misunderstood by a portion of people on any particular issue if it makes for that much more of a special experience for those who understand.
I generally don't regret decisions that have poor outcomes for me because that's the best way you can learn.
I hadn't had that much time practicing behind the drum kit. I've spent an inordinate amount of time listening to and programming drum parts, but it's completely different. One of the beautiful things about using a sampler is since you are so detached from traditional technique, you're forced to have a macro perspective of the project. With an instrument, it's the opposite. With drums specifically, there's nothing that provides more instant gratification and nothing that's funner to play.
My introduction into making records was through a sampler, and that's what I did for a long time. And through doing that over a period of time and kind of coming out of it, I've realized that one of the reasons it works so well for me, one of the reasons psychologically I took to the process so well, was because I'm a problem-solver by nature. If you stick me in a void, I don't do so hot. As soon as there's one little thing to spark an idea, and then I have something to bounce off of - then I'm all right. But until I have that, like in that void, it's kind of hard.
Death hath so many doors to let out life.
To me, being a classical snob in the highest possible way and being an indie snob is just as bad!
I go to see the clothes [I designed] in the shops, and of course they're not perfect, and I see only the imperfections. But it doesn't mean it's a failure-you just think, I wish it could be better than this. Sometimes I cannot achieve what I really want to do in just one collection, so in the following collection I do it again. There are certain things I've been working on for three years.
But the truth is, countries have to do what is best in each instance to pursue both their interest and their values.