I often see the materials of photography as being a type of terrain. Emulsions, liquid developers, silver salts, and fixers interact, and I construct a landscape that I need to first explore in my mind's eye if I am to make it manifest as an artful image in silver.
There is in every American, I think, something of the old Daniel Boone - who, when he could see the smoke from another chimney, felt himself too crowded and moved further out into the wilderness.