The negative is comparable to the composer's score and the print to its performance. Each performance differs in subtle ways.
It's amazing how the world does actually go on in the middle of things that should stop it for us.
AIDS is a global problem and there should be a global solution found by the entire international community. It is really scary to see and imagine our world fall into pieces because we refuse to share and put in the common vestiges of our civilizations.
I think it's a universal thing in every family, that people have their own specific versions of pivotal events or even small memories.
The ways in which people are damaged are the ways in which they're strong. It's what makes people interesting - what they've overcome and how, and what they haven't and how that's become a good thing. Almost everyone's life is both a gorgeous story and a tragedy. I think being alive is really, really hard, and I'm constantly stunned and amazed by people who make it interesting and beautiful.
I am aware that I've generally been more attracted to introspective roles, but it's sort of bizarre, because it's the opposite of who I am in many ways. I think I'm quite an extroverted, loud person. So it interests me that that's sort of the place that I go all quiet, is when I'm onscreen. It's a bit strange.
We're still at a point where women [directors] aren't allowed to be mad visionaries. We have to prove beyond a shadow of a doubt that we're responsible, that we can handle it, that we've got all our ducks in a row. . . most women who direct always come in on budget, always come in on schedule, and if they were wild and irresponsible it would not be put down to brilliance, but to a general flakiness.
Love comes unseen; we only see it go.
I would just love to do 'It's a Wonderful Life. ' I think that movie is fantastic.
Anthony's father was a mad baronet and his mother a very beautiful woman. That's Anthony-half mad baronet, half beautiful woman.
I know something you do not know. I am not left-handed either.