Identity for me is something that has to be played with and explored, and not become complacent about or uninterested in.
We are not alone in our loneliness, others have been here and known griefs we thought our special own.
On the stem of memory imaginations blossom.
The bicycles go by in twos and threes - There's a dance in Billy Brennan's barn to-night, And there's the half-talk code of mysteries And the wink-and-elbow language of delight. Half-past eight and there is not a spot Upon a mile of road, no shadow thrown That might turn out a man or woman, not A footfall tapping secrecies of stone. I have what every poet hates in spite Of all the solemn talk of contemplation. Oh, Alexander Selkirk knew the plight Of being king and government and nation. A road, a mile of kingdom, I am king Of banks and stones and every blooming thing.
There is something wrong with a work of art if it can be understood by a policeman.
God cannot catch us. Unless we stay in the unconscious room. Of our hearts.
It often occurs to me that we love most what makes us miserable. In my opinion the damned are damned because they enjoy being damned.
She shows us only surfaces but Nature is a million fathoms deep.
The filmmaker Amos Poe was a huge inspiration for me by making guerrilla-style punk films on the streets of New York and - well, it's just a lot of painters and artists and filmmakers all within that scene, and it's very, very important to me.
Honestly, if you're just going to be the love interest then at least let it be a really good movie. Not every role is going to be Hamlet, I know that.
Let them police themselves, and then it goes another step past them to my coaches and there a coach that is responsible for a different area and different category on the field.