Chester William David Brown (born 16 May 1960) is a Canadian cartoonist.
It is easier to live openly when you're not married. Not to get too much into the whole "romantic love" thing, but if you're going to live successfully with another person, there are things you have to keep to yourself. So the guy who lives on his own, I think, is more used to just expressing things openly.
As far as women who are being abused by pimps, I think if you see women who do incalls or outcalls rather than work on the street, they are less likely - from what I've heard - to have pimps. But you can't be sure.
I'd begun reading Crumb shortly before that, and other underground stuff, so that was an influence to some degree. Of course the Marvel and DC comics, they had been my main interests in my teenage years.
The best unpaid sex, where you and the woman are really into each other, and there's a lot of really intense passion, and things are really hot between you. . . I've never had that kind of sex when I was paying for it. The best unpaid sex is going to be, I think, more passionate and more hot than the best paid sex.
I think politics is important. It's how we run our society. I think it should be natural to have an interest in the subject, and I almost don't understand why some people don't.
I'm against government giving money to artists, but I'm not against artists taking money. Just like I don't have a moral problem with people taking healthcare from the government, but I don't think government should give it.
If I can avoid doing freelance work, I prefer to. Not just because it takes me away from drawing comics, but also because it's just annoying having to deal with art editors, and having to read people's articles or books or whatever.
I was looking to do something non-fiction because I had done a strip, 'My Mom Was a Schizophrenic. ' I really enjoyed the process of doing that strip, despite its subject matter. To do it I'd had to do a lot of research and reading and I figured I'd like to do that again.
You know, if a relationship has gone on for five or six years, that couple is not having as much sex as they were at the beginning of the relationship. In a lot of marriages, the sex stops altogether. So that's a very common thing, even if they still like each other.
If I do need to make money suddenly, I prefer to just draw something I want to draw and have someone else sell it for me on the Internet.
I would prefer not to be living with anyone, really. Like, as much as I care for my special friend, I don't want to live with her.
We couldn't be making as much money, if we had to deal with stranger behaviour. And right now, anybody who slows down our economic productivity, off they go. We have a place for them, the psychiatric institution. That's the main thing, they slow things down.
With each of those projects I wasnt thinking about how the layout would really affect the story I was working on - it wasnt the content that was affecting the layout, it was, how I wanted to draw at that point in time.
I don't think of myself as an evil monster and I hope I'm not.
Penthouse' didn't seem to concentrate as much on the girls' faces, and I really wanted to see the girls' faces. It seems like through the 1980's, they almost went out of their way to obscure the girls' faces.
One of the significant reasons why women who are trafficked and forced to work as prostitutes often don't want to come forward is because they're worried they'll be deported. If the police are certain that a woman has been trafficked and forced into prostitution, then perhaps we should automatically allow her citizenship.
As far as sex slavery goes, in Canada, if the woman has a Canadian accent, I'm confident that she hasn't been trafficked and forced to work as a prostitute.
I'm planning on finishing the Gospels at some point.