Banana Yoshimoto (吉本 ばなな, Yoshimoto Banana) (born 24 July 1964) is the pen name of Japanese writer Mahoko Yoshimoto (吉本 真秀子, Yoshimoto Mahoko). From 2002 to 2015, she wrote her name in hiragana (よしもと ばなな).
People aren't overcome by situations or outside forces. Defeat comes from within.
There are many days when all the awful things that happen make you sick at heart, when the path before you is so steep you can’t bear to look. Not even love can rescue a person from that. Still, enveloped in the twilight coming from the west, there she was, watering the plants with her slender, graceful hands, in the midst of a light so sweet it seemed to form a rainbow in the transparent water she poured.
The way we think may be completely different, but you and I are an ancient, archetypal couple, the original man and woman. We are the model for Adam and Eve. For all couples in love, there comes a moment when a man gazes at a woman with the very same kind of realization. It is an infinite helix, the dance of two souls resonating, like the twist of DNA, like the vast universe.
Everything that had happened was shockingly beautiful, enough to make you crazy.
In the uncertain ebb and flow of time and emotions much of one's life history is etched in the senses.
When someone tells you something big, it's like you're taking money from them, and there's no way it will ever go back to being the way it was. You have to take responsibility for listening.
Why is it we have so little choice? We live like the lowliest worms. Always defeated - defeated we make dinner, we eat, we sleep. Everyone we love is dying. Sill, to cease living is unacceptable.
Me, when I'm utterly exhausted by it all, when my skin breaks out, on those lonely evenings when I call my friends again and again and nobody's home, then I despise my own life - my birth, my upbringing, everything.
On nights like this when the air is so clear, you end up saying things you ordinarily wouldn’t. Without even noticing what you’re doing, you open up your heart and just start talking to the person next to you—you talk as if you have no audience but the glittering stars, far overhead.
It’s a marvelous thing, the ocean. For some reason when two people sit together looking out at it, they stop caring whether they talk or stay silent. You never get tired of watching it. And no matter how rough the waves get, you’re never bothered by the noise the water makes by the commotion of the surface - it never seems too loud, or too wild.
With a cold"--she spoke evenly, lowering her eyes a little--"now is the hardest time. Maybe even harder than dying. But this is probably as bad as it can get. You might come to fear the next time you get a cold; it will be as bad as this, but if you just hold steady, it won't be. For the rest of your life. That's how it works. You could take the negative view and live in fear: Will it happen again? But it won't hurt so much if you just accept it as a part of life. " With that she looked up at me, smiling.
Hitoshi: I'll never be able to be here again. As the minutes slide by, I move on. The flow of time is something I cannot stop. I haven't a choice. I go. One caravan has stopped, another starts up. There are people I've yet to meet, others I'll never see again. People who are gone before you know it, people who are just passing through. Even as we exchange hellos, they seem to grow transparent. I must keep living with the flowing river before my eyes. I earnestly pray that a trace of my girl-child self will always be with you. For waving good-bye, I thank you.
Love is the kind of thing that's already happening by the time you notice it, that's how it works, and no matter how old you get, that doesn't change. Except that you can break it up into two entirely distinct types -- love where there's an end in sight and love where there isn't.
Ultimately, though, it's living people that frighten me the most. It's always seemed to me that nothing could be scarier than a person, because as dreadful places can be, they're still just places; and no matter how awful ghosts might seem, they're just dead people. I always thought that the most terrifying things anyone could ever think up were the things living people came up with.
Again and again I will suffer; again and again I will get back on my feet. I will not be defeated.
Living like that utterly convinced me of the extreme limitations of language. I was just a chlld then,so I have only an intuitive understanding of the degree to which one losses control of words once they are spoken or written. It was then that I first felt a deep curiosity about language, and understood it as a tool that encompasses both a single moment and eternity
Even when I try to stir myself up, I just get irritated because I can't make anything come out. And in the middle of the night I lie here thinking about all this. If I don't get back on track somehow, I'm dead, that's the sense I get. There isn't a single strong emotion inside me.
Time expands and contracts. When it expands, it’s like pitch: it folds people in its arms and holds them forever in its embrace. It doesn’t let us go so easily. Sometimes you go back again to the place you’ve just come from, stop and close your eyes, and realize that not a second has passed, and time just leaves you there, stranded, in the darkness
In the uncertain ebb and flow of time and emotions, much of one’s life history is etched in the senses. And things of no particular importance, or irreplaceable things, can suddenly resurface in a café one winter night.
It occurred to me that if I were a ghost, this ambiance was what I'd miss most: the ordinary, day-to-day bustle of the living. Ghosts long, I'm sure, for the stupidest, most unremarkable things.