I was in Shanghai recently, where Twitter is blocked, and yet there were ads and billboards across town with hashtags on them.
However I am looking forward to the two new Grands Prixs both Shanghai and Laguna Seca are fantastic tracks and it will be good to race at them.
When you're walking around in Shanghai, I called it the City of Near Misses, because they do not stop for pedestrians. And the pedestrians do not have the right of way. It's those little things that no one tells you.
I have to do this, as long as it is at all possible; for if those who are obliged to look after commas had always made sure they were in the right place, then Shanghai would not be burning.
I've always found it very sanitary to be broke.
Now I am master of Shanghai.
I certainly gained a lot by reading about Shanghai.
Human nature is eternal; therefore one who follows his nature keeps his original nature, in the end.
The rise or fall of Shanghai means the birth or death of the whole nation.
I went to China for a brief working visit, and I thought that Shanghai was interesting, but Beijing totally grabbed me.
I curated this show [Shanghai Biennale ], I was by no means trying to shock people or be controversial.
During the 1960s, the Shanghai of my childhood seemed a portent of the media cities of the future, dominated by advertising and mass circulation newspapers and swept by unpredictable violence.
[Shanghai Biennale] has been my attitude for as long as I've been practicing art and other cultural-related activities.
In 1924 Mao took a Chinese friend, newly arrived from Europe, to see the notorious sign in the Shanghai park, 'Chinese and Dogs Not Allowed'.
Sathya, Dharma, Shanghai and prema are the hall-marks of a purified heart, a heart where God is enshrined and is manifest.
If I am duly compared to Marlon Brando at all, well, I can only think of The Teahouse of the 'Shanghai Noon,' that they're comparing me to that!
