If Rosie’s mother had known that eye colour was not a reliable indicator of paternity, and organised a DNA test to confirm her suspicions, there would have been no Father Project, no Great Cocktail Night, no New York Adventure, no Reform Don Project—and no Rosie Project. Had it not been for this unscheduled series of events, her daughter and I would not have fallen in love. And I would still be eating lobster every Tuesday night. Incredible.
Age is an accumulation of life and loss. Adulthood is a series of lines crossed.
Literary studies were no more than a series of autopsies performed by heartless technicians. Worse than autopsies: biopsies. Vivisection. Even movies, which I love more than anything, more than life itself, they even do it with movies these days.
Right now, I'd like to just continue on a series where I am doing good work with a balance of comedy and drama. That and do occasional features and movies.
I read a lot of fantasy. I adored 'Anne of Green Gables'. But my favourite books as a child were probably Laura Ingalls Wilder's 'Little House' series, about a pioneer family in the mid-19th-century American west. I often thought of them as I was writing 'The Last Runaway'.
I did not know at first that it would be a series; I discovered after the first novel that I had more to say about it, so I did another. And another, and then the readers demanded yet more.
I read the 'Deadpool' series back in the '90s. I'm not, like, a huge comic book reader, per say, though. I'll check out 'Archie' when I'm in the grocery line, but that's about it.
You go through life in a series of peaks and valleys.
The ladder of success isn't a ladder. It's a series of steps with leaps interspersed along the way.
For me the Anita series is built like a mystery series, which means that as much as possible each book stands alone, so you have a mystery to solve from the beginning to the end of the book.
It was the saying of a great man, that if we could trace our descents, we should find all slaves to come from princes, and all princes from slaves; and fortune has turned all things topsy-turvy in a long series of revolutions; beside, for a man to spend his life in pursuit of a title, that serves only when he dies to furnish out an epitaph, is below a wise man's business.
I've been very fortunate to be able to use my series as a platform to show a good message for the kids.
Spoken language is merely a series of squeaks.
What one does in the studio is to pose a series of problems to oneself. I've got to look for some deeper meaning, for some reason for this thing to be in the world. There's enough stuff in the world.
I think the most challenging aspect was keeping up the degree of physical fitness you need while filming a major leading role in a primetime U. S. series. You have very little time to sleep and eat, let alone train.
I think our life is a series of adventures.
Your life today is the result of a series of decisions you made that have caused you to arrive where you are.
There are not a lot of places for an actor to explore what it's like to be a woman in her 60s. There aren't any films about it and there very few TV series about it.
In a 91-part series of sob stories from the laid off and the disgruntled, The NY Times is in the midst of bemoaning 'the downsizing of America' - better known as 'the whining of America. ' The cause of all the heartache, in the esteemed newspaper of record's view, appears to be heartless corporate chieftains - as well as capitalism itself. Americans are moving forward, despite shackles. The shackles I am referring to are not NAFTA, not corporations. They are, instead, the barriers imposed by our own government.
I think the best way to put it is that newspictures are the noun and the verb; our kind of photography is the adjective and adverb. The newspicture is a single frame; ours, a subject viewed in series. The newspicture is dramatic, all subject and action. Ours shows what's back of the action.