The entire behind the scenes of Saturday Night Live are all Canadian.
When I look at a character, whether he's good or bad, one scene or 10 scenes, I just have to find my way in.
Before that I wanted to be a magazine illustrator - I probably would have painted Gothic scenes.
I shot many scenes of Hamburg, albums full of postcard motifs, and I discarded almost all of them. I ride my bike through Hamburg every day. I go shopping here, I go to the doctor - and yet I no longer have the eye for telling stories about this damn city, even though I love it.
The enjoyment of the choicest natural scenes in the country and the means of recreation connected with them is thus a monopoly, in a very peculiar manner, of a very few very rich people. The great mass of society, including those to whom it would be of the greatest benefit, is excluded from it. In the nature of the case private parks can never be used by the mass of the people in any country nor by any considerable number even of the rich, except by the favor of a few, and in dependence on them.
What I remember myself from films, and what I love about films, is specific scenes and characters.
It means working harder to do the research but I don't really mind - I don't think I have what it takes to chase criminals through back alleys and wade through blood at crime scenes.
If you have a dishonest moment, you're going to lose the audience. So I had to not only light myself in the scenes.
In my day, people didn't do nude scenes. I mean they didn't exist.
I'm a natural behind the camera. My attentions are more toward behind the scenes, more toward creating, producing, and directing what's going on here. When I finally do pop in front of the lens, I'm genuinely glad and relieved to be there.
Perhaps the most difficult thing is shooting scenes set 6,000 feet up in the mountains of Mexico.
I wanted to stay in the game. I wanted to learn more about the league, what goes on behind the scenes. As a player, you don't really think about that, nor do you really care: you're worried about your job.
Usually when I'm making a movie, what I have in mind first, for the visuals, is how we can stage the scenes to bring them more to life in the most interesting way, and then how we can make a world for the story that the audience hasn't quite been in before.
The peculiar fascination which the South held over my imagination and my limited capital decided me in favor of Atlanta University; so about the last of September I bade farewell to the friends and scenes of my boyhood and boarded a train for the South.
I always anticipated difficulties in order to avoid scenes.
Angie [Harmon] is a beautiful and stunning woman, and we both have really good qualities that complement each other. We both look very different and we have different energies, but it really works. We're lucky. When we do scenes together, I do feel like there's a certain magic that you can't always say happens.
I don't even like watching sex scenes in movies. I have a slight prudish side to me.
We've rewritten entire scenes and had them animated twelve hours before the show goes on the air. It's not fun.
I hope and dream the time will come when serious artists will make marvelous pictures that will love and live in life-like manner and be far more interesting and wonderful than pictures you now see on canvas. I think if Michelangelo was alive today he would immediately see the wonders. . . The artist can make his scenes and characters live instead of stand still on canvas in art museums.
Raquel Welch is someone I can also live without. We've got some love scenes together and I am dreading them!