This book [Dreams from My Father] was more of a reflection on my public life, now as a U. S. senator and before that as a state senator; how my perspectives around the issues of the day are shaped by my background.
Of course, any simplification runs the risk of mutilating reality; but it helps us establish perspectives.
I am an advocate of one form of the New Perspective. But there are as many new perspectives as there are people writing about it.
To view current events as a historian is to account for all perspectives, even those of your enemy
I think the goal is in general to broaden my fans' perspectives and their horizons. Not to be cliché. But to introduce them to things that they may not have introduced to themselves.
I try to consider people's perspectives and not just my own.
I've always been interested in writing from other people's perspectives and other gender perspectives.
Intelligent people need a fool to lead them. When the team's all a bunch of scientists, it is best to have a peasant lead the way. His way of thinking is different. It's easier to win if you have people seeing things from different perspectives.
Our perspectives on situations act like a lens through which we view the world.
In junior high I read a lot of Stephen King, whose Americana approach to writing was often about "the terror next door" and at the same time I was reading a lot of Clive Barker, who was on the other end of the horror pendulum: insidious and disturbingly psychological. I found it fascinating how these two authors came at horror from two totally different perspectives.
We really need the Internet to be that thing that we all dreamed of it being. We need it to connect us all together. We need it to introduce us to new ideas and new people and different perspectives. And it's not going to do that if it leaves us all isolated in a Web of one.
The smartest groups, then, are made up of people with diverse perspectives who are able to stay independent of each other. Independence doesn't imply rationality or impartiality, though. You can be biased and irrational, but as long as you're independent, you won't make the group any dumber.
Both Proust and Joyce record the ways in which human perspectives can be transformed. In Portrait, Stephen Dedalus is constantly undergoing epiphanies, but their effects are transitory: the new synthetic complex quickly falls apart. Proust's characters, by contrast, often achieve lasting changes of perspective.
Without fail, every cartoonist that I asked advice from bent over backward to be helpful and encouraging. It took many forms: some of it was just an implicit acceptance, like being invited along to the dinner with all of the good cartoonists, or sitting down at a drafting table with an artist and him showing me how to draw backgrounds and perspectives.
It makes one’s head heavy and giddy, as if one were not looking back down the receding perspectives of time but rather down on the earth from a great height, from one of those towers whose tops are lost to view in the clouds
Scientific discoveries and innovation come from combining different existing technologies and different perspectives in a unique way.
Led by myself and two colleagues, the course offers a newly developed model of spiritual direction that draws on both the age-old wisdom of the church and more recent perspectives. I call it the PassionWisdom Model of Spiritual Direction, and I see it as offering the opportunity for our interior worlds and supernatural reality to meet.
Morality, then, is not a set of arbitrary regulations dictated by a vengeful deity and written down in a book; nor is it the custom of a particular culture or tribe. It is a consequence of the interchangeability of perspectives and the opportunity the world provides for positive-sum games.
I'm really lucky to have the kind of people I've got around me. I've got such a great group of predominantly young people, but so diverse, and they bring different perspectives to the table. They will tell me exactly what's on their mind.
The format of the book was the idea of my wonderful editor, Stephen Segal. Stephen and I had worked together before, on projects for the Interstitial Arts Foundation, and when he got the idea for an accordion-style book, he called and asked if I could write the story for it. I told him that I would love to try! And I knew it had to be a love story, because that's the sort of story you really want to hear from both perspectives. I mean, imagine if Pride and Prejudice were told from Darcy's perspective as well as Elizabeth's. It would be quite a different story!