If the work jells a little bit in terms of being placed in the oeuvre, I don't care - as long as it works.
I suppose that as you grow older some sense of an accumulating oeuvre is unavoidable.
Close-Up is a very particular film in my oeuvre. It's a film that was made in a very particular way; mainly because I didn't really have the time to think about how to go about making the film.
To be full of joy when looking at an oeuvre is not a little thing.