[Flaubert] didn’t just hate the railway as such; he hated the way it flattered people with the illusion of progress. What was the point of scientific advance without moral advance? The railway would merely permit more people to move about, meet and be stupid together.
The sun is roaring, it fills to bursting each crystal of snow. I flush with feeling, moved beyond my comprehension, and once again, the warm tears freeze upon my face. These rocks and mountains, all this matter, the snow itself, the air- the earth is ringing. All is moving, full of power, full of light.
You could be jealous of a girl who's not as pretty as you, but you just have that feeling that she's going to take your dude, and you might be right. Or you might be jealous of somebody who's not as good at their job as you, but you have this feeling that she's got that something extra that's going to help her move ahead. Whatever it is, you might have that weird feeling, and you might be right.
Once we begin to appreciate that the apparent destructiveness of the toddler in taking apart a flower or knocking down sand castles is in fact a constructive effort to understand unity, we are able to revise our view of the situation, moving from reprimand and prohibition to the intelligent channeling of his efforts and the fostering of discovery.
I felt like a monster reincarnation of Horatio Alger: A man on the move, and just sick enough to be totally confident.
Language changes and moves in a different direction evolving all the time. Where a lot of people see deterioration, I see expressive development
I have no pride about anything I have done. It's just not the way I think about things. I do the work, always, as hard as I can, to the point of pain, injury, exhaustion, if that is what it takes. Once I am done, I move on.
It's always a mistake for writers to key their submissions to world events, because they move so quickly and unpredictably, as has certainly proven the case in Afghanistan.
When you reflect upon the significance of Dr. King to this nation, it's criminal that he hasn't had a feature film that was centered around him until now. That, in and of itself, was emotional. But when you're doing scenes on the Edmund Pettus Bridge, with people still living in Selma and now in their 60s and 70s who had actually marched, who were there that original Bloody Sunday, that's humbling. . . that's deeply moving. You're no longer acting at that stage, you're just reacting, because it takes the filmmaking process to another dimension.
Before getting to my mother's house, I would always think of her on the porch or even on the street, sweeping. She had a light way of sweeping, as if removing the dirt were not as important as moving the broom over the ground. Her way of sweeping was symbolic; so airy, so fragile, with a broom she tried to sweep away all the horrors, all the loneliness, all the misery that had accompanied her all her life.
When your reasons to move forward outweigh your excuses for staying put, you will move forward.
Americans love to pick up, move on, start over. But instead of being somebody fresh and new, they become somebody lonely and lost, or, far too often these days, they become nobody at all, a machine for satisfying hunger, without loyalty or honor or duty.
A painting is an object which has an emphatic frontal surface. On such a surface, I paint a black band which does not recede, a color band which does not obtrude, a white square or rectangle which does not move back or forth, to or fro, or up or down; there is also a painted white exterior frame band which is edged round the edge to the black. Every part is painted and contiguous to its neighbor; no part is above or below any other part. There is no hierarchy. There is no ambiguity. There is no illusion. There is no space or interval (time).
If you run your business fairly; if you treat people well; if you try to move your business into areas that are making a real positive difference to other peoples lives; I think you'll A. have much pleasant life, but B. I think you'll have a much more successful business.
My thing is, when you put a bunch of rules on a tour, you have to hire three more people to enforce all the rules. So, with me, I want everyone to feel comfortable. It's a lot of little moving parts out here, and little hiccups will come. At the end of the day, the show's going to go on, and I want everybody to truly enjoy it.
The black sky was underpinned with long silver streaks that looked like scaffolding and depth on depth behind it were thousands of stars that all seemed to be moving very slowly as if they were about some vast construction work that involved the whole universe and would take all time to complete. No one was paying attention to the sky.
Government employees move up the ladder through educational credentials rather than merit. People are given jobs and promotions based on seniority, race and gender rather than ability or talent. Such a system often overlooks the deserving and rewards the incompetent. There is no payoff for achievement.
Thinking is an experimental dealing with small quantities of energy, just as a general moves miniature figures over a map before setting his troops in action.
I would never suggest anyone to stay at a company more than six or seven years. We grow as individuals and the world is moving so fast. Typically, I'll always sell a piece of each of my companies along the way.
The classroom, with all its limitations, remains a location of possibility. In that field of possibility we have the opportunity to labor for freedom, to demand of ourselves and our comrades, an openness of mind and heart that allows us to face reality even as we collectively imagine ways to move beyond boundaries, to transgress. This is education as the practice of freedom.