I am not bossy, I am the boss.
The more grotesque your boss's pay and the less he has do to earn it, the bigger the motivation for you to work with the aim of being promoted to what he has.
because the hardest boss a man can ever have is himself.
Having your own show, where you're not in trouble all the time, because you're kind of the boss, is a wonderful experience. If I made mistakes everyone was very nice to me.
It's very hard to be perceived as a boss, and behaving like a boss or wanting to be treated like one.
I find that as a female boss in the music industry, it's difficult to actually be treated as if you actually are the boss and to have people act on your instructions and take you seriously. Like you call up people who are working for you and say, "I'd like to see such-and-such document," and they tell you that you don't need it. Then you have to spend time convincing them that it doesn't matter whether they think you need it or not, they're supposed to hand it to you.
Whenever the boss has 'fun' activities, there's got to be a parable or a lesson. Employees feel like they're supposed to be taking notes.
I'm not used to having a boss. I'm the boss. I don't need the money. I'm filthy f. . . rich!
Just the idea that someone is married and they've got a kid, and he reports for work one morning and his boss says, "You're wife is a spy. Shoot her. " In the real story, he just went back and did it, which would have been a short film. Therefore, I had to spend some time exploring what you would do.
The question who ought to be boss is like who ought to be the tenor in the quartet? Obviously, the man who can sing tunor.
A leader in the Democratic Party is a boss, in the Republican Party he is a leader.
They don't want you to wear the Saint Lauren fur, they don't want you to break App Store, they don't want you to be the biggest boss in the game. So what we go'n do is we go'n win more.
I write a little bit about what it's like to be a female boss in my book [ Is Everyone Hanging Out Without Me?] and the things I've noticed about that, but by and large, it's just a tough job in general.
When you're composing for somebody, that means you have a boss. You have to do what it takes to, at the end of the day, appease them.
When I'm on a picture, I have two bosses - the director and the producer. My co-star is not my boss.
Never rest on your oars as a boss. If you do, the whole company starts sinking.
My boss at Christmas was a lot of fun: "I want you to look in your pay envelopes and you'll know that I keep the Christmas spirit around here. Because in each and every envelope you'll find. . . snow. "
You are an adult, and you can dress up whenever you want to. You don't need permission anymore! If you wake up next tuesday, and you feel like being Batman, go for it! And then you go to work, and your boss will look up and go "who are you," and you can say: "I am Batman. That's who I am, who are you?"
The speed of the boss is the speed of the team.
At any given moment, there is always a line representing what your boss will believe. If you step over it, you will not get your budget. Go as close to that line as you can.