I've quit writing screenplay [adaptations]. It's too much work. I don't look at writing a novel as work, because I only have to please myself. I have a good time sitting here by myself, thinking up situations and characters, getting them to talk - it's so satisfying. But screenwriting's different. You might think you're writing for yourself, but there are too many other people to please.
As the trunk is one but the branches are many, yoga is one but adaptations may vary.
Our common law is the stock instance of a combination of custom and its successive adaptations.
I really enjoy working on adaptations.
I'm very keen. Adaptations of other people's work, too. I got fascinated by the adaptation process, so I think that'd be a really interesting task. I would happily write original screenplays as well. I think it's become one of my favorite genres.
The movie adaptations of stage musicals that I've seen, without exception, in my opinion don't work. A lot of people would disagree with me.
The proof of evolution lies in those adaptations that arise from improbable foundations.
I see only adaptations - not revolutions.
I've made movies that were adaptations and I've been kind of frustrated by the process because, you know that old axiom, 'It's never as good as the book'? It's often true because nothing competes with your own imagination. When you're reading a book and you imagine something in your head, nothing's going to compete with that.
A lot of period pieces we see are adaptations of novels - we always know the story.
Much is now being said about evangelism; but before we get effective evangelism, we have to get effective evangelists. Evangelism is useless unless it is the work of one devoted to God, willing and glad to suffer all things for God, penetrated by the attractiveness of God. New machinery, adaptations and adjustments, are not the first need. . . but more devoted, adoring, sacrificial souls.
Yesterday's adaptations are today's routines.
Every living thing is an elaboration of a single original plan. As humans we are mere increments - each of us a musty archive of adjustments, adaptations, modifications and providential tinkerings stretching back to 3,8 billion years. Remarkably we are even quite closely related to fruit and vegetables. About half the chemical functions that take place in a banana are fundamentally the same as the chemical functions that place in you. It cannot be said too often: all life is one. That is, and I suspect will ever prove to be, the most profound true statement there is.
I adore doing classic adaptations, but I also feel their frustrations and their limitations.
My ethical naturalism sees us as facing the predicament of being social animals without evolved adaptations that make social life easy. The fundamental problem that sparks the ethical project lies in our limited responsiveness to one another. The only way we have to address that problem is through a representative, informed, and engaged conversation.
Some of us have great original ideas and some of us depend on adaptations.
One of the things I've always thought is a drag in so many period adaptations is that they are always buttoned up to the neck in so many clothes all the time. I'm always looking for excuses to get them out of their clothes.
The curse of comic book adaptations, when I was younger, was that the director or producer would go, "Don't worry about it, it's just a comic book. "
