A war still rages over the legacy of the 1960s.
I felt Clinton represented the worst of the 1960s.
When you're a guest star on TV shows - particularly in the 1960s - you're always the villain.
When it comes to music, we live in a very different world than everyone did in the 1960s and 1970s
Sydney in the 1960s wasn't the exuberant multicultural metropolis it is today. Out in the city's western reaches, days passed in a sun-struck stupor. In the evenings, families gathered on their verandas waiting for the 'southerly buster' - the thunderstorm that would break the heat and leave the air cool enough to allow sleep.
How can I be a part of the 1960s generation when I don't even remember any of it?
I thought at the time that I wanted to go into institutional sales, selling stocks and bonds to institutions. In those days, which was the 1960s, the institutional salesman was making about $100,000 a year. I thought that was just an enormous amount of money.
It was in the 1960s that I began the detailed study of public regulation.
But I'd say my best boss was Tom Barr, who was a partner at Cravath, Swain & Moore in the 1960s. It's because I learned so much from him.
Seeing Anonymous primarily as a cybersecurity threat is like analyzing the breadth of the antiwar movement and 1960s counterculture by focusing only on the Weathermen.
Dr. Ambrose himself told Mark Nechtr. . . that the problem with young people, starting sometime in about the 1960s, is that they tend to live too intensely inside their own social moment, and thus tend to see all existence past age thirty or so as somehow postcoital. It's then that they'll relax, settle back, sad animals, to watch- and learn, as Ambrose himself said he learned from hard artistic and academic experience- that life instead of being rated a hard R, or even a soft R, actually rarely even makes it into distribution. Tends to be too slow.
The programs that came to be known as the New Deal were not simply handed down by the benevolence of FDR and the Democrats. They were fought for. And in the 1960s, it was the similar. You had incredible movements against Jim Crow, poverty and the Vietnam War in the 1960s.
The record business is an oxymoron. In the 1960s, there was an upside to selling plastic discs so labels took the risk - they paid for the record, for marketing, promotion, publicity, everything it took to make the artist a star. But now we have to go back to the venture capital model. The business is stopping and everyone's complaining but you can't blame labels. It's a shitty business. You do it because you're passionate, or because it's what you've always known. But if you lived through the nineties, nobody is thinking this is great compared to what it used to be.
Much of the art of the 1960s, from body art to video and direct performance, was concerned with similar issues. And then there was media art, which made it possible to express things directly, without having to rely on the written word, which was manipulated by men.
I always wanted to make a cover album consisting of obscure psychedelic music from the 1960s - all re-shaped and customized, Ulver style.
The civil rights movement didn't begin in Montgomery and it didn't end in the 1960s. It continues on to this very minute.
I never imagined when I began writing in the early 1960s I'd become professional and my life would be transformed.
The notion of 'history from below' hit the history profession in England very hard around the time I came to Oxford in the early 1960s.
It was only with the emergence of the Conceptualist approaches of the late 1960s that the opposition between artists using photography and photographers became explicit.
It seems like the record industry made so much crazy money in the 1960s that everyone wanted to get in on it. Now it's just become very corporate. So all of these people who despise music end up being in charge.
