There's lots of good movies where you feel that the dialogue could be improvised, but very little was. The "Big Lebowski" was like that where people say "oh, you know, that sounds so. . . " and we'd always go back and get every man, every ellipses in there the way these guys write it. Because not only is it saying what Michael wants the character to say but the way they all speak kind of creates this tone because it's not exactly real.
Paula Rothenberg
White privilege is the other side of racism. Unless we name it, we are in danger of wallowing in guilt or moral outrage with no idea of how to move beyond them. It is often easier to deplore racism and its effects than to take responsibility for the privileges some of us receive as a result of it. . . Once we understand how white privilege operates, we can begin to take steps to dismantle it on both a personal and institutional level.
