I saw a story in the Los Angeles Times that 40 percent of the viewers are men. It didn't really surprise me.
We didn't used to be so precious about women in comedy back in the old days.
The biggest thing I’ve heard for the last four months is, ‘Thanks for ruining my childhood’.
The director is the only person on the set who has seen the film. Your job as a director is to show up every day and know where everything will fit into the film.
I'm more of a science head, so I was like how would a guy use - if there were ghosts - technology to bring them back?
I really put my heart and soul into everything and I don't want a project that doesn't feel real to me or I don't get invested in. In order to drive a show for eight or 10 years or whatever the target for doing a show is, it really has to be a part of you. Because then I can come up with stories for seasons and seasons on end. I wish I had the ability to just like the idea and get people in and drive it that way through their enthusiasm. For me, it has to be a little more of a personal thing, even if it's not a completely personal story.
I always hated high-school shows and high-school movies, because they were always about the cool kids. It was always about dating and sex, and all the popular kids, and the good-looking kids. And the nerds were super-nerdy cartoons, with tape on their glasses. I never saw 'my people' portrayed accurately.
I find it most intriguing to contemplate the fact that while men are considering what place to give Jesus Christ in history, He has already decided what place to give them in eternity.
I think the people are just looking for freedom in music. . . There's a lot of she-bop she-bop going on out there. Maybe they're tired of that same old thing.
I feel like. . . I don't have a wife, I don't have a kids, but. . . I see rappers and I'm like, I know that's fake. I know how much you make, this is all bullshit. But people are buying into it, and you shouldn't have that power. I'm legit trying to make honest moves so that all of us can grow. I want to make a show where my sister can work on and become a producer because she can't get in, no one's leting her. I want to make things where people can actually grow. A place where people can actually be honest.
Knowledge knocks on the door of action. If it receives a reply, it stays. Otherwise, it departs.