There's nothing like biting off more than you can chew, and then chewing anyway.
Lot of ugly funny dudes end up with some pretty gorgeous women. Women are much deeper than us in choosing a mate - they see in the long term.
But for the most part, for the majority of a stand-up audience, you better have new stuff they've not heard. And if you put an album out, just consider that material gone. At least that's how I see it.
With a comedian, it's the opposite. You put that album out, and they've heard it. If they're coming out to see you, you'd better be doing new stuff. There's always a tiny part of the audience that want to hear certain bits of yours, or they've brought friends to see you, and they've told them about some of your bits. Then maybe you should do them.
The process is to me is going onstage night after night after night after night until I get a new hour. And then once that hour is solidified and recorded, I move on.
I'm glad that that era of stand-up is over, because I think it adversely affected a lot of people who could have been really, really great comedians. Because they unconsciously or subconsciously stifled their wild impulses, and were thinking about the five clean minutes for The Tonight Show, or the 20-minute sitcom pitch as a stand-up act.
I'm going to continue to try to strike a balance, because I really, really do love doing stand-up, and I don't see why it should affect the acting. And again, I'm not going, "I've got to become a dramatic actor now. " I just want more interesting jobs. I just want to keep doing stuff that's different.
The public will believe anything, so long as it is not founded on truth.
As far as I am concerned the paint is the person. I want it to work for me just as flesh does
It had the old double keyboard, an entirely different set of keys for capitals and figures, so that the paper seemed a long way off, and the machine was as big and solid as a battle cruiser. Typing was then a muscular activity. You could ache after it. If you were not familiar with those vast keyboards, your hand wandered over them like a child lost in a wood. The noise might have been that of a shipyard on the Clyde. You would no more have thought of carrying one of those grim structures as you would have thought of travelling with a piano.
We were just a little immature in the past. I think we actually wanted to create difficult situations for ourselves just to be able to use that emotion for stimulation.